(Source: nineteen-sixties-speak)
(Source: nineteen-sixties-speak)
holly hell that tone!!!
For the People Who Die Alone
Gypsy Unicorn
Miner’s Hymns 2011 by Bill Morrison
(Source: hurricanelighthouse)
Long before the AMAM was founded, many individual works of art and entire collections were given to Oberlin College to support its educational goals. In 1904, Helen Finney Cox (OC 1846) gave the Oberlin fifty-seven ledger drawings by the 19th-century Plains Indian warrior-artist Howling Wolf. Six of these works are on view in the exhibition “A Museum for Oberlin” currently display in the museum’s second floor Ripin Print Gallery. This exhibition focuses on major milestones in the development of the AMAM collection, and over the next few weeks we will highlight works from this show.
Called “ledger” drawings because they were made on ledger paper used by accountants, Howling Wolf’s drawings offer a powerful visual record of the life of the artist’s Southern Cheyenne people, as well as an autobiographic documentation of his heroic deeds.
David Lynch’s unorthodox approach to awards campaigning today threatened to stop traffic on Sunset Blvd.
Cars slowed to a crawl, drivers agog at sight of helmer camped out in the parking lot of Tower Records with a large ‘for your consideration’ banner and a live cow.
“I’m here to promote Laura Dern who I think you’ll agree gave an incredible performance that’s going to live,” Lynch said. “I think the Academy members love showbusiness — and this is the showbusiness approach.”
Alongside Lynch’s pitch was a banner with the slogan ‘WITHOUT CHEESE THERE WOULDN’T BE AN INLAND EMPIRE.’
Lynch’s reasoning was simple: “I ate a lot of cheese during the making of ‘Inland Empire.’”
(Source: maudit)
(Source: thequietfront.com, via osed4x)
“OH SUSANNAH” BY NEIL YOUNG & CRAZY HORSE FROM THEIR NEW ALBUM.
(Source: thespoonrooster)
sci-fi carpenters